In April 2011, the International Writing Program launched " Writers in Motion", a study tour of the Mid-Atlantic and the American South, where eight international writers are exploring the theme of "Fall and Recovery." The writers are traveling to Gettysburg (April 3-5), Baltimore (April 5-6), New Orleans (April 6-8), the Gulf Coast (Morgan City, the Achafalaya Basin, Lafayette, April 8-11), Birmingham, AL (April 11-12) and Washington, D.C. (April 13-15) to examine some of the challenges presented by historical crises and upheavals, both natural and social.
Showing posts with label Eduardo Halfon. Show all posts
Showing posts with label Eduardo Halfon. Show all posts

Thursday, April 7, 2011

Too Important

I know this isn’t a travel log, or that it isn’t supposed to be. But anything you write as you travel becomes just that --a kind of fragmented diary of the places you visit and the people you meet. Thinking comes later. Reflection comes later. Now you just travel while trying to keep your eyes open and your step firm and your coffee warmer than your clichés. You go to the battlefields of Gettysburg, and everything there --the trees, the monuments, the crowds of tourists, the t-shirt shops and ghost tours-- makes you feel like a cynic. You’ve been there before. Perhaps in a high-school field trip. Perhaps with your parents. Perhaps through history books. You’ve already seen those fields and monuments. You’ve already heard the stories of Lee, and Meade, and Pickett’s charge. But now, suddenly, through the smoke and noise of a theme park, you sense it. There it is. You can’t yet name it, but you know it’s there, and you decide to hide it away somewhere so you won’t have to sense it too much, or talk about it, or even think about it, and you drive down to Baltimore. You also know about Baltimore. You’ve been to Baltimore before. You start walking through the streets of west Baltimore. You see all the boarded-up houses: blocks and blocks of abandoned houses. You take a few snapshots. There’s no one there. You think of dead bodies decomposing. And there it is again. Unavoidable. Unmistakable. Now you have to see it. You have to write it down in your travel log. You have no choice. It’s too large, too ominous, too important.
Eduardo Halfon

Friday, April 1, 2011

Full of words

Two things get me mentally ready for a trip: deciding what to pack, and reading about the places I’ll be traveling to. I’m still not sure what things to pack for the next two weeks --from university readings in Gettysburg, to formal dinners in Washington D.C., to visits to the old Jim Crow districts of Birmingham, to muddy strolls through the Louisiana rivers and swamps. In fact, the only packing decision I’ve made so far is this: no computer, just pen and notepad. The readings, on the other hand, have for a while now been taking my mind to Ford’s theatre, and to the Birmingham jail, and to the Lower Ninth Ward levees that, in August of 2005, gave way to what is perhaps the country’s greatest human catastrophe. It seems as though I’m leaving on this trip full of history and images. Full of words. What will I bring back with me, I wonder, in two weeks time? Earlier today, while reading a brilliant story by John Biguenet --a New Orleans writer we’ll soon be meeting--, I happened upon this line: “When one makes a trip, he comes home with stories.”

Eduardo Halfon