In April 2011, the International Writing Program launched " Writers in Motion", a study tour of the Mid-Atlantic and the American South, where eight international writers are exploring the theme of "Fall and Recovery." The writers are traveling to Gettysburg (April 3-5), Baltimore (April 5-6), New Orleans (April 6-8), the Gulf Coast (Morgan City, the Achafalaya Basin, Lafayette, April 8-11), Birmingham, AL (April 11-12) and Washington, D.C. (April 13-15) to examine some of the challenges presented by historical crises and upheavals, both natural and social.
Showing posts with label Vicente Groyon. Show all posts
Showing posts with label Vicente Groyon. Show all posts

Thursday, April 14, 2011

God creeps up

Washington, D.C. -- As this all-too-brief tour winds down, I find myself thinking about God. God has crept up on me on this trip, in a rather strange and stealthy way. (Because I was raised Roman Catholic, God to me is, by default, the Yahweh of the Old Testament who sent his son Jesus Christ to redeem humanity.) Although I am aware of the deeply religious roots of the United States, I hadn't expected it to factor so prominently in my impressions.

In Morgan City, Louisiana, I move with a tour group through Mr. Charlie, the first submersible, moving oil rig, wandering through the spaces once inhabited by tough men who lived here for up to forty-five days at a time, doing dangerous and difficult work. The oil rig is now a museum designed to give visitors an idea of how it worked, though its former life as an actual workplace lends it an eeriness, as though its men had merely gone on furlough at the same time. Signs still remind people of rules and regulations, staterooms stand clean and ready for occupants, cooking utensils hang waiting for mess hall preparations. This is a micro-community devoted to seeking out and extracting one of the most precious commodities on earth, its existence defined, controlled, and informed by oil.

Morgan CityIn a dimly lit, long abandoned recreation room, amid a foosball table, TV and VCR, packs of cards and boxes of dominoes, God makes his first appearance on this tour. Comfortable couches range around a coffee table, on which lie two Bibles -- one a generic hardbound volume of the Gideon variety, the other something that looks more like a technical manual. God's Word for the Oil Patch: Fuel for the Soul, it says. It's produced by the Oilfield Christian Fellowship, and inside appears to be a standard Bible in a modern American translation, prefaced by some inspirational material targeted at the men who work the rigs. God is here, I said to myself.

A rather strange place for God to be, this behemoth that moves and acts with sublime power, conquering bayou, river, gulf, and ocean floor. God here is an enabler, granting human beings dominion over the earth and its lesser creatures, entitling them to seek out the fulfillment of a promise -- a reward for faith, loyalty, and service.

God's promise was also the theme of the sermon at the Trinity Bible Church in Lafayette, Louisiana. It's a boxy structure that feels more like a concert hall than a church, reinforced by the band onstage. Members of the congregation are handed a questionnaire upon entrance, the answers to which play into the sermon.

The theme is "Life in Transition: Where is my Focus?" The pastor, a virile, energetic man, walks his people through the questionnaire, tying an episode from the Old Testament to the contemporary challenges facing his flock which, by his own admission, depends on "the oil" for its survival. This is shepherd as motivational speaker, gospel as self-help, and I am reminded yet again of the absolute necessity of charisma in keeping a congregation congregated. Bullet points projected on the cyclorama summarize his affable patter, and he manages to bring his discourse back to the enabling power of Christian rhetoric. We end with exhortations to focus not on people, tasks, or oneself, but on "God's promises," and "God's presence." God is here, as well, the fierce, awesome, vengeful Yahweh who led armies into battle, who would brook no doubt or disagreement.

Days later, we would find ourselves in another church -- the famous 16th Street Baptist Church in Birmingham, Alabama, where the bombing that killed four little girls fanned the flames of the civil rights movement in America. The centerpiece of the church is the Wales Window, which depicts a dark-skinned Christ-like figure in a slightly modified crucifixion pose: one hand outstretched to block oppression, the other to ask for forgiveness or mercy. Running along the lower edge of the window are the words "You do it to me," a paraphrased extract from Matthew 25:40. God is here too.

BirminghamOur guide, the charming T.R. German, doesn't miss an opportunity to extol the goodness of God, and to urge us to honor the mystery of God's intentions and trust in God's wisdom. This seems to be his way of dealing with the problem of evil in the world. Because he is a black man who lived through the days of segregation and the civil rights movement, we press him for stories, personal perspectives on the historical narrative. Race is clearly still a sensitive topic here -- "We ain't going to get into that," he says, though allowing that "The devil is busy" -- but he surrenders everything to Jesus Christ, believing that wrong will be righted in the end. It's a faith that emphasizes endurance and patience, even in the face of persecution. It's a faith that could slide easily into passivity if allowed.

"It's a taught thing," he says, referring to racism as well as respect. The face of God is a taught thing as well, and people learn to see it in many different things. God is everywhere.

As we leave, Mr. German says, "Y'all be blessed." It's a gesture of kindness and generosity that is aware that many people move in unblessed ways in an unblessed world.

-- Vicente Garcia Groyon

Thursday, March 31, 2011

Three things before I start to move

Manila, Philippines -- Three more nights before I board the plane that will take me again to the United States. The schedule up ahead looks grueling: seven cities in two weeks to get up close and personal with America filtered through the theme "Fall and Recovery." Like many other non-Americans, much of what I know about the U.S. comes from the mass media, and this tour promises more of the behind-the-curtain revelations of my IWP residency two years ago.

In the last three weeks, my mind has been turned constantly towards Japan and the continuing devastation wrought by earthquake and tsunami. I have no doubt that this will color my experience of the study tour ahead, providing contrast and context. The images of whole towns and cities obliterated by a giant black wave remind me again that history is littered with the remains of once-thriving civilizations laid low by disasters both natural and social. In a bit of serendipity, a recent news story about the rediscovery of "Atlantis" references both Japan and New Orleans in the same breath with lost civilizations like Pompeii, Babylon, Ayutthaya, and Petra.

My first taste of America was New Orleans, in 1997. Perhaps it wasn't the best introduction to America, as its culture and ambience set it drastically apart from the rest of the country. But I found it memorably, rapturously alive, with an appealing darkness and danger about its edges. I'm not sure how my memories of Crescent City will be revised by this post-Katrina encounter. Our itinerary promises an in-depth look at the circumstances of the disaster and the subsequent recovery efforts, and I look forward to the education.

I've also been going through the material provided by the IWP as background for the tour, and I'm quite frankly amazed to discover that an attitude that I've sensed or intuited hazily about America actually has a name: exceptionalism. Given my ignorance of this philosophy, as well as my cultural background, I'm approaching the subject a little warily, although the more I learn about it, the more it seems to illuminate the things that puzzle most about America. I think this will drive much of the discussion in the days to come.

-- Vicente Garcia Groyon